About Us

{contentTitle}

Accessory

{name}

Account Removal

User Account Update

Account Update

User Activation

Activation page

Amortization Calculator

{title}

Application Picker

Job Detail Page

Career Page

Cookies Bar

Cookies

Cookies Info

Cookies Page

Cookies Info (CZ)

Cookies Page (CZ)

Disclaimer

Error 404

Error 500

PDF Error

Event

Expos&Events

Expos&Events Page

FilePage

File

User Forgotten Password

Forgotten Password page

Gallery

General Translations

General Spot On

Gobo

Happy Hours

Homepage

HP Slider

Homepage Slider

Innovation

Innovation Page

Inquiry

Key Feature Category

{intDes}

User New Password

New Password page

News

News Detail

News Detail Page

News Page

Office

Offices Page

Products Parameters

Param Or Feature

Patent

{number}

Patents Page

Person

{firstName} {lastName}

Podcast page

Privacy

Privacy Policy

Privacy (CZ)

Privacy Policy (CZ)

Product

Product Detail

Product Detail Page

Product Overview Pages

Products Page

Rental Region

{region}

User Registration

Registration

Rental

Rental Finder

Search Page

Short Video

{internalDes}

Slide

Smart Links

Spot On Index

Support

Support Project Registration

Support Rma Form

Sustainability

Technical Training

Technical Training Calendar

Technical Training Type

{subtitle}

User Thank You

Thank You page

Trademark

{trademark}

Trademarks Page

Unavailable Locale Error

User Login Modal

User Login

User Login page

Video

Video Spot On

Wheel

 We use cookies to personalise content and ads and to analyse our traffic. Please see “More about cookies” to learn more about how they are used on our website. Click “I agree” to activate them or “Close and just use cookies not requiring consent” if you do not want them. You can change your settings on "Cookies" in the footer at any time.

 Nous utilisons des cookies pour personnaliser le contenu et les publicités et pour analyser notre trafic. Veuillez consulter « En savoir plus sur les cookies » pour en savoir plus sur la façon dont ils sont utilisés sur notre site Web. Cliquez sur "Accepter" pour les activer, autrement cliquez sur "Fermer et utiliser uniquement les cookies ne nécessitant pas de consentement". Vous pouvez modifier vos paramètres sur les "Cookies" dans le pied de page à tout moment.

 on Instagram and never miss a story again!

 sur Instagram et ne loupez aucune actualité !

The browser you are currently using is not supported. To prevent glitches and functionality issues, switch to different browser.

Le navigateur que vous utilisez n'est pas supporté. Pour éviter tout problème d'affichage ou de fonctionnalités, passez sur un autre navigateur.

Lighting designer Matt Marshall was delighted to be part of a talented cast and creative team delivering this outstanding production for which he specified and used Robe T1 PC moving lights to provide special soft back lighting to delineate the cast and evoke a sense of separation between them and the large scape video projections across the set.

The performance opened at the Aotea Centre in Auckland, then travelled to the St James Theatre in Wellington and the Isaac Royal Theatre in Christchurch impressing critics and theatre buffs and thrilling audiences.

It was the first opera that Matt has lit using T1 PC fixtures and his first creative collaboration with British director / designer and video artist Netia Jones who designed set, costumes and video as well as directing the work. Projected images played a prominent role in the dramaturgy, beamed onto three imposing scenic walls making up the set.

As the only other technical creative in this structure, plenty of expectation was on Matt to deliver a smart and dramatic lighting design to suit the viscerality of the piece.

With video projections so fundamental to the action and aesthetics, this also informed the way he lit the stage and cast. It was needing a specific and refined back light to give depth and three-dimensionality which led him to T1 PC to make the characters pop out but not affect the impact of the images.

Matt – who works internationally and prolifically on cutting edge opera and contemporary dance productions – first saw the Robe T1 fixtures at a demo by Australian distributor Jands and was struck by their silence in addition to the quality of light.

The production’s visual style was very Noir with multiple greyscales, monochromacy and sharp contrasts, so he needed a crisp, cold white to complement and contrast with this … for which the seven T1 PCs were a perfect solution.

Having previously used T1 and T2 Profiles on shows for the Western Australian Ballet in 2021, he knew that light output was excellent and that the products were ideal for this environment, but it was the quietness that really blew him away! It’s also something that is essential for opera, as everyone involved in this genre of performance – from the orchestra and conductor to all the artists – is acutely conscious of ambient noise levels.

“There’s absolutely no sound coming out of them at all,” Matt repeated with raised eyebrows! “Amazing!”

Other features like the accurate shuttering system and super-smooth dimming were also useful, especially when confining light to specific areas and preventing spill onto the set.

The general challenge in lighting this production was accentuating all the nuance and intrigue involved as Francesco Maria Piave’s libretto was unfolded, capturing the intricacy and narcissism of the characters and the cynicism of their actions.

There had to be a constant and complete balance between the two visual media – light and moving image – to enhance the compelling storytelling, and Matt enjoyed working with Netia enormously to create this fluidity and sense of visual spectacle.

The set was essentially a giant angled box wrapping an almost bare stage, so the trick was penetrating this space and using it properly and intelligently to relate the story.

Fixture placement was absolutely critical in each venue and lights had to be rigged on drop bars and other rigging infrastructure to get them spot-on, as no luminaire could be below the 10-metre projector pathway.

Matt loved thinking out of the box and taking a different approach to lighting such a classic opera as much as he enjoyed utilising the T1 PCs which he reckons added a sense of clean white slickness to the grungy downbeat atmos of the proverbial ‘Scottish play’.

The moving lights were supplied to the production by Wellington-based Grouse Lighting.

Robe Lights the Way for MacBeth at New Zealand Opera

Produits liés

T1 PC™

Découvrir plus de news

Robe Helps Spin Skulerevyen at Det Vestnorske Teateret

Zvezdara Theatre Belgrade Invests in Robe

Robe LEDBeam 150s are a Perfect Match for Baxter Theatre

Robe for De Roma

Naviguer

Connexion

Suivez-nous

Restons en contact

Naviguer

Connexion

Suivez-nous

Restons en contact